History & public life · Autograph & handwriting

Mother Teresa signature

A large thin opening loop reaches above and below the left side.

Mother Teresa autograph signature image
Vector tracing of the signature specimen. Image credit: Teresa of Calcutta, born Anjezë Gonxhe Bojaxhiu (signature); vectorized by Paluten · CC0.

What does Mother Teresa’s signature look like?

A large thin opening loop reaches above and below the left side. Teresa continues in more readable rounded forms, beneath a long upper cross-stroke, followed by smaller initials at the right.

Slant
+25°forward
Baseline
+1.3°near level
Width / height
4.99 : 1overall proportions
Opening height
1.88×opening versus body letters
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A sweeping first loop before Teresa and smaller initials

A large thin opening loop reaches above and below the left side. Teresa continues in more readable rounded forms, beneath a long upper cross-stroke, followed by smaller initials at the right. Compare that spacious beginning with the compact final additions: the name changes scale noticeably without a broad separate underline enclosing the whole mark.

Mother Teresa signature analysis

Mother Teresa’s signature sample has 25° of forward slant, a near-level baseline and 9 enclosed loops. Use the layers to follow the writing line, letter band, slant and enclosed loops.

Slantforward
+25°
Baselinenear level
+1.3°
Width / heightoverall proportions
4.99 : 1
Opening heightopening versus body letters
1.88×
Enclosed loopsclosed spaces in the image
9
Ink groupsmain disconnected groups
6
Ink densityinside the signature bounds
12.3%
Underlineno long lower flourish
None
Finish heightrelative to the letter body
+0.01×

Opening, letter body and finish

The opening stays near the height of the body letters. The opening-to-body ratio is 1.88×, while the whole image is 4.99 times as wide as it is tall. The rightmost ink finishes above the writing line; look at this ending separately from the slant of the letters themselves.

Loops and the lower flourish

The sample contains 9 enclosed loops and 6 main ink groups. The letterforms carry the main horizontal movement; there is no long lower underline detected beneath their band.

Mother Teresa’s signature in graphology

Traditional graphology associates a broad opening loop with expressive public presentation. The smaller rounded continuation provides a flowing rhythm, while the compact final initials add a more restrained closing accent.

Follow the forward-leaning strokes in this image alongside the smaller body letters. For another perspective on your own writing, the handwriting analysis tool brings slant, size and spacing into a full-page reading.

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Compare these samples’ slant, proportions and letter rhythm with Mother Teresa’s autograph.

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