Arts & literature · Autograph & handwriting

Leonardo da Vinci signature

Small angular cursive forms run across a long, slender name line.

Leonardo da Vinci autograph signature image
Vector tracing of the signature specimen. Image credit: Connormah, Leonardo Da Vinci · Public domain.

What does Leonardo da Vinci’s signature look like?

Small angular cursive forms run across a long, slender name line. An open upper loop interrupts the early part of the writing, while most later letters stay close to the same low band.

Slant
+21°forward
Baseline
+1.1°near level
Width / height
6.47 : 1overall proportions
Opening height
1.29×opening versus body letters
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A long historical name in a narrow writing band

Small angular cursive forms run across a long, slender name line. An open upper loop interrupts the early part of the writing, while most later letters stay close to the same low band. Look at the slight word separations and alternating upright strokes: the specimen’s length comes from the written name rather than a wide enclosing flourish.

Leonardo da Vinci signature analysis

Leonardo da Vinci’s signature sample has 21° of forward slant, a near-level baseline and 12 enclosed loops. Use the layers to follow the writing line, letter band, slant and enclosed loops.

Slantforward
+21°
Baselinenear level
+1.1°
Width / heightoverall proportions
6.47 : 1
Opening heightopening versus body letters
1.29×
Enclosed loopsclosed spaces in the image
12
Ink groupsmain disconnected groups
9
Ink densityinside the signature bounds
16.0%
Underlineno long lower flourish
None
Finish heightrelative to the letter body
+1.03×

Opening, letter body and finish

The opening stays near the height of the body letters. The opening-to-body ratio is 1.29×, while the whole image is 6.47 times as wide as it is tall. The rightmost ink finishes above the writing line; look at this ending separately from the slant of the letters themselves.

Loops and the lower flourish

The sample contains 12 enclosed loops and 9 main ink groups. The letterforms carry the main horizontal movement; there is no long lower underline detected beneath their band.

Leonardo da Vinci’s signature in graphology

Traditional graphology associates economical connected writing with directness. Here the narrow letter band and limited surrounding decoration give the long name a restrained presentation, punctuated by the early upper loop.

Follow the forward-leaning strokes in this image alongside the smaller body letters. For another perspective on your own writing, the handwriting analysis tool brings slant, size and spacing into a full-page reading.

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