Science · Autograph & handwriting
Gottfried Wilhelm Leibniz signature
A large looping opening precedes a very long line of small historical cursive forms.
What does Gottfried Wilhelm Leibniz’s signature look like?
A large looping opening precedes a very long line of small historical cursive forms. Several taller capitals interrupt the word groups, and an intricate curled return appears at the far right.
- Slant
- +21°forward
- Baseline
- +0.6°near level
- Width / height
- 3.23 : 1overall proportions
- Opening height
- 2.38×opening versus body letters
A long multiword name between ornate outer initials
A large looping opening precedes a very long line of small historical cursive forms. Several taller capitals interrupt the word groups, and an intricate curled return appears at the far right. Compare the small connecting letters with those larger landmarks: the signature’s readable length and its outer flourishes contribute separately to the complete outline.
Gottfried Wilhelm Leibniz signature analysis
Gottfried Wilhelm Leibniz’s signature sample has 21° of forward slant, a near-level baseline and 17 enclosed loops. Use the layers to follow the writing line, letter band, slant and enclosed loops.
- Slantforward
- +21°
- Baselinenear level
- +0.6°
- Width / heightoverall proportions
- 3.23 : 1
- Opening heightopening versus body letters
- 2.38×
- Enclosed loopsclosed spaces in the image
- 17
- Ink groupsmain disconnected groups
- 5
- Ink densityinside the signature bounds
- 10.6%
- Underlineno long lower flourish
- None
- Finish heightrelative to the letter body
- +0.07×
Opening, letter body and finish
The enlarged opening stands above the smaller letters. The opening-to-body ratio is 2.38×, while the whole image is 3.23 times as wide as it is tall. The rightmost ink finishes above the writing line; look at this ending separately from the slant of the letters themselves.
Loops and the lower flourish
The sample contains 17 enclosed loops and 5 main ink groups. The letterforms carry the main horizontal movement; there is no long lower underline detected beneath their band.
Gottfried Wilhelm Leibniz’s signature in graphology
Traditional graphology associates enlarged initials with public emphasis. Their repetition divides this long name into expressive stages, while the fine connected body maintains a more economical rhythm between them.
Follow the forward-leaning strokes in this image alongside the enlarged opening. For another perspective on your own writing, the handwriting analysis tool brings slant, size and spacing into a full-page reading.
Signatures with similar shapes
Compare these samples’ slant, proportions and letter rhythm with Gottfried Wilhelm Leibniz’s autograph.
